Gopala-tapani Upanisad
April 5th, 2010 | by Harmonist staff
Brahma explains the Gopala mantra\'s ability to bring one to any of Krishna\'s lilas
April 5th, 2010 | by Harmonist staff
Brahma explains the Gopala mantra\'s ability to bring one to any of Krishna\'s lilas
March 13th, 2010 | by Harmonist staff
Brahma reveals to the four Kumaras how one worships Krishna
February 22nd, 2010 | by Harmonist staff
Krishna’s wife Kalindi states that she is the daughter of the sun, aham devasya savitur duhita. This same Kalindi is the goddess of the sacred river Yamuna
February 15th, 2010 | by Harmonist staff
Meditation on the five-sectioned Gopala mantra preceded by the kama-bija enables one to relish prema</em
February 7th, 2010 | by Harmonist staff
Brahma replied to the Kumaras: Krishna\'s form is] dressed as a cowherd, has the color of a cloud, is youthful, and has taken refuge under a desire tree
February 2nd, 2010 | by Harmonist staff
Brahma answers the four questions posed to him by the Kumaras
January 28th, 2010 | by Harmonist staff
The four Kumaras inquire from Brahma
January 20th, 2010 | by Harmonist staff
Swami Tripurari explains how verse one of Gopala-tapani Upanisad contains the mangalacarana (auspicious invocation), vastu-nirdesa (essence of the text), and asirvada (offering of a blessing).
January 14th, 2010 | by Harmonist staff
“Gopala” means one who protects (pala) cows (go), in other words, a cowherd. “Tapani” means to shed light. Thus Gopala-tapani Upanisad is that esoteric doctrine that sheds light on the cowherd Krishna
January 7th, 2010 | by Harmonist staff
The final portion of Swami B. V. Tripurari\'s Siksastakam of Sri Caitanya</em
January 2nd, 2010 | by Harmonist staff
In the eighth stanza of Siksastakam, Mahaprabhu reveals that he now completely identifies himself as a maidservant of Krishna. This identification began in the fifth stanza of his, in which Mahaprabhu humbly prayed for divine service
December 13th, 2009 | by Harmonist staff
In the second portion of chapter six of Siksastakam of Sri Caitanya, Swami Tripurari outlines the five components of rasa as developed in Indian aesthetics and adopted by Sri Rupa Goswami.